Don’t drink and tub unless you want to end up in the 1980s is the lesson learned in this gross-out comedy. A group of 40-ish dudes (John Cusack, Craig Robinson, Rob Corddry and Clark Duke) decide to visit the once-happening ski resort town where they misspent their youth. After a drunken night in the hotel’s hot tub, this gang of losers somehow winds up in 1986 and is forced to relive the day exactly as they did before for fear of creating a “butterfly effect.” It’s when they start to veer from this course that things get screwy. The film is a hopeful mixture of Groundhog Day and Back to the Future, but ultimately the better parts of the script and the actors’ sharp comedic timing is overshadowed by lowbrow antics that are far too overplayed.
By Belem Destefani

When: April 1-3, 10:15 p.m. and April 1-3, 8 p.m.
Phone: 828-LAFF
www.ticketbiscuit.com/goodnightscomedy

Goodnight’s Comedy Club / The Grille at Goodnight’s—During its eight-season run, Full House was a staple in my house. Uncle Joey’s catchphrase “Cut. It. Out.” followed by his hand gesture haunted us years after the show was off the air. Despite the longevity of his catchphrase, Dave Coulier struggled after Full House. He was thrust briefly into the limelight again when it was rumored that Alanis Morrissette wrote “You Oughta Know” about him, and he had a short stint on VH1′s reality show The Surreal Life. (Subsequent reality show appearances included Dancing With the Stars and Skating With Celebrities.) Yet, much like his fictional counterpart, Dave Coulier is also a comedian known for his impressions of celebrities and cartoon characters. He also takes the stage Friday and Saturday at 8 p.m. and 10:15 p.m. —Belem Destefani

When: Wed., March 31, 7:30 p.m.
Phone: 919-843-3333
Price: Tickets are $10 for UNC students and $25-$45 for the general public
www.carolinaperformingarts.org

UNC Campus: Memorial Hall —Brush up on your Chekhov: His works, including The Cherry Orchard and Uncle Vanya, are seminal pieces of the theatrical canon. The latter is a tragicomedy published in 1900 that examines the life of a rich Russian family: wasted lives, lost time and unattainable loves. The play was filmed in 1994 by Louis Malle as Vanya on 42nd Street and provided many with their first glimpse of Julianne Moore. The Maly Drama Theatre of St. Petersburg brings this work to the stage in its original Russian with English super titles for a one-night performance at 7:30 p.m. —Belem Destefani

Chapel Hill
I Have Before Me a Remarkable Document Given to Me by a Young lady from Rwanda
Kenan Theatre, UNC Campus—Sonja Linden’s play is about Juliette, a Rwandan refugee who has written a book about the travesties that occurred in her country. In her attempt to get it published, she enlists the help of Simon, a poet and refugee aide, and their relationship quickly flourishes into a mutual exploration of each other’s cultures. Linden wrote this play—whose lengthy title is a “challenge to our short attention span where Rwanda is concerned,” she says—as a response to her interactions with Rwandan refugees when she was a writer-in-residence at the Medical Foundation for the Care of Victims of Torture. Now PlayMakers Repertory Company brings this work to Chapel Hill for a five-day run. Tickets are $24–$32. Visit www.playmakersrep.org. —Belem Destefani

Chapel Hill
Pilobolus
Memorial Hall, UNC Campus—American Dance Festival favorite Pilobolus returns to the Triangle for a one-night-only event to showcase four dances, one of which—Redline by Jonathan Wolken—originally premiered at ADF last summer. Pilobolus, known for juxtaposing amazing feats of athleticism with aestheticism, reached the apex of popular culture when they performed at the 2007 Academy Awards. Now for the Triangle, they dust off an old favorite, Day Two, which had its premiere in 1980 and re-enacts the second day of creation. Also on the program are Rushes, by choreographers Avshalom Pollak and Inbal Pinto, and Duet, which examines love’s different stages.The show is at 7:30 p.m., with tickets for UNC students $10 and the general public $30–$75. Seats are limited, so don’t wait. Visit www.carolinaperformingarts.org. —Belem Destefani

Durham
MoLoRa
Reynolds Theater, Duke University—In 458 B.C., Aeschylus wrote the Oresteia, a Greek tragedy that opens up a debate about justice in Athens. Nearly 2,500 years later, South African playwright and director Yael Farber adapted Aeschylus’ classic into MoLoRa to restore that same debate, but this time about South Africa. The Farber Foundry Theatre Company examines post-apartheid South Africa by resetting the story within the context of the Truth and Reconciliation Committee hearings. The Ngqoko Cultural Group, a seven-member group committed to performing the songs of South Africa’s rural Xhosa communities, will perform as the chorus for the play. Due to the emotional intensity of the performance, we’re told that MoLoRa is not appropriate for those under 13. Read our interview with Farber. The show is at 8 p.m. Friday and Saturday. Tickets are $5 for Duke students and $22–$28 for the general public. Visit www.dukeperformances.org. —Belem Destefani

SHE’S OUT OF MY LEAGUE—Can a smokin’ hot 10 ever be with a mediocre five? That’s the question the puny Pittsburgh protagonist of She’s Out Of My League sets out to answer. After meeting babe Molly (Alice Eve) at the airport security checkpoint, TSA agent and super-geek Kirk (Jay Baruchel) can’t believe his good fortune when he finds out that she might actually be into him. Fueled by his friends’ insistence that there’s no way a girl that hot could ever go for a “moodle” (man poodle) like him, he begins to sabotage the best thing that’s ever happened to him. Out of My League is reminiscent in the best ways of other recent good-hearted gross-out comedies like The 40-Year Old Virgin, and Baruchel manages to be likeable, charming and uncool at the same time. Rated R. —BD

REMEMBER ME—Vampire heartthrob Robert Pattinson reaches for, and misses, the mantle of James Dean. In pre-9/11 New York, Tyler is a wayward 20-something who spurns his family’s money because he blames his father for his brother’s suicide. Enter delicate and damaged college student Alyssa (Emilie de Ravin), who struggles with her baggage while falling in love with Tyler. The plot has its compelling moments, but Pattinson, who has little more to offer than nice hair and brooding sultriness, makes every scene seem painfully awkward and contrived. Rated PG-13. —BD

Durham
The Self-Made Man
Perkins Library’s Rare Book Room, Duke Campus—Is it up to us to decide when and where we are going to die? The Self-Made Man ponders that very question. At the age of 77, self-made man Bob is diagnosed with a possibly terminal illness. Not wanting to be a slave to fate, he decides to take his own life. His daughter Susan takes it upon herself to document his impressive life, as well as his bold choice, to demonstrate an “intimate exploration of nuclear family dynamics and a complex portrait of what is arguably a specifically American brand of hubris.” The film was an award winner at the Full Frame Documentary Festival and is now being screened by Duke’s Screen/Society as part of its Human Rights/ Kenan Ethics Series. This free screening is at 7 p.m.; a post-screening discussion with director Susan Stern follows. Visit fvd.aas.duke.edu/screensociety. —Belem Destefani

Raleigh
Band of Outsiders
Rialto Theater—French New Wave auteur Jean-Luc Godard is known for avant-garde films that challenge the conventions of traditional Hollywood cinema. One of his more accessible films is 1964′s Band of Outsiders—whose French title, Bande à part, inspired the name of Quentin Tarantino’s production company. The story revolves around two best friends, Franz and Arthur, who have a penchant for small crimes. They meet Odile (played by Godard’s wife, Anna Karina), a woman who lives with her wealthy aunt, and a love triangle ensues as they convince Odile to help them rob her aunt’s estate. Their well-laid plans go awry, but not before a memorable trip to the Louvre. Godard himself described his film as “Alice in Wonderland meets Franz Kafa.” Prepare to go down the rabbit hole for the film screening at 7 p.m. Admission is by season ticket only, which is $20 for 12 films, but prorated subscriptions are available. Visit www.cinema-inc.org. —Belem Destefani